Nadège Vanhee-Cybulski decided to pare the women’s wear back to a graphic essence. In keeping with the Hermès 2020 theme, “Innovation in the Making,” she presented a “manifest of purity,” as she called it, on a set of striped vertical bars reminiscent of horse jump poles.
Working in Piet Mondrian’s strict vocabulary of primary colors, she created a baseline for an Hermès wardrobe, including more options in non-leather or using minimal-leather (with the growing animal-loving luxury class in mind, perhaps?).
Some looks came in both, well positioning the brand for changing values around consumption, and offering more accessible pieces as it courts customers with new product categories, including its first line of lipsticks bowing March 4. Continue reading
Flashy chain mail knights: no, we’re not in Domrémy and we’re not going to push the English out of the conciergerie. A place probably rightly chosen by Julien Dossena, given my neighbors who do not detonate with the concierges on the nearby rue St-Denis.
The cocktail celebrating the 20 semifinalists for the LVMH Prize for Young Designers is the latest event to fall victim to the coronavirus scare.
Claudia Marcocci has been appointed brand general director of Parfums Christian Dior.
Breaking news: Raf Simons is the new co-creative director of Prada. He is to work in partnership with Miuccia Prada “with equal responsibilities for creative input and decision making,” the company said Sunday.
Silvia Venturini Fendi is in charge now, and on Thursday night she put inclusivity front and center on the Fendi runway with more sizes (Paloma Elsesser) and ages (Carolyn Murphy and Karen Elson), marking a new era for the house.
Smart and real, Michele was humbly asking you to come to the show, if you didn’t have anything better to do. From the thoughtful invitation to the warm welcome, the entrance was directly backstage where makeup was in progress and the designer was greeting everybody.
After last season’s oversized extravaganza, Victoria Beckham reined it in with a collection that took in shorter lengths and nodded to school uniforms in traditional tweeds, checks.
Jacobs is an extraordinary designer, his part showmanship. Over the years, he has staged some incredibly engaging shows, the kind now called “experiential.” This was a museum-worthy performance-art piece one that would sell a lot of tickets.
Kaitlyn Dever in a custom red Louis Vuitton strapless gown and stole made of GOTS (Global Organic Textile Standard) Taroni silk-satin embroidered with red-blue beads at the Vermont Atelier in Paris, certified according to the Oeko-Tex Standard 100 and approved by the Red Carpet Green Dress organization. Who knows what all that gobbledy-greengook means exactly, but it sounds good coming from a brand whose parent LVMH has faced criticism for not signing the United Nations' fashion industry charter for climate action.
Designer Olivier Theyskens has been appointed by fashion house Azzaro as the new creative director. Theyskens succeeds Maxime Simoëns, who has resigned the position of creative director to the brand last year.
Sure, you can’t discuss Kirk Douglas without mentioning the chin. That famously dimpled chin, which you’d never believe on a statue, nonetheless gave the Hollywood icon a granite jaw that served him well as a leading man for more than 60 years. But you also have to give Douglas who died Wednesday at the age of 103 credit for those piercing eyes, which gave the Spartacus star his relentless intensity. The chin made him a star, but the eyes made him an actor.
When the luxury jeweler’s shareholders gathered at its New York headquarters Tuesday morning to vote on the mega sale to Arnault’s LVMH Moët Hennessy Louis Vuitton, it was in all the important ways, already a done deal. (Arnault wasn’t on the scene, but later issued a statement praising the go-ahead of the transaction, the largest deal ever in the luxury space).
Soldiers disarmed, here is the conquest of the imagination and the mythology of childhood, this couple in perpetual creation deserves to be in the pantheon of fashion, they who dress all the most famous singers of the planet for their concerts, while the Lord of the Arnault pays these same singers to attend his presentations.
Ziad Nakad’s timeless pieces, defy the galaxies with spectacular dresses carrying women into a dream, like clear midnight blue constellations staring at the stars on silver tulle thrust into the fashion spotlight and intoxicated with the transparent and sublime night. Ziad Nakad awakens the deepest dreams with his pastel colours, champagne, silver and sunshine red which glow in the infinite showing us an imposing volcanic soul and creating chaos in ourselves.