Givenchy, whose perfume business is said to be riding high, has tapped a new president and chief executive officer with experience in fashion and beauty, Renaud de Lesquen, currently president and ceo of Dior Americas, is to join Givenchy on April 1 and it is not a Joke.
A suave but discreet executive, de Lesquen has been in the New York-based role for four years, and previously served the same amount of time as president of Dior China. Prior to that, he spent 10 years at L’Oréal in Paris, as president and ceo of YSL Beauté, and before that as global president of Giorgio Armani Beauty.
The appointment suggests Givenchy is about to embark on a new development phase and also underscores the penchant of parent LVMH Moët Hennessy Louis Vuitton to groom and promote executives from within.
De Lesquen succeeds Philippe Fortunato, an LVMH veteran whose six-year tenure straddled two distinctly different creative directors: Riccardo Tisci, culminating with an acclaimed New York showing, and then Clare Waight Keller, who arrived from Chloé in 2017. He ramped up retail expansion, brought couture back to the runway, oversaw the brand’s arrival on e-commerce, and also put the spotlight on its men’s wear division with a slate of initiatives, including a showing at Pitti Uomo. Continue reading
This is a more than revolutionary idea, an idea of Francis Menuge, former President of Gaultier and Donald Potard with the complicity of Jacques Mouclier, which they had in their time. A project, which due to the lack of the house of Patou, had never come to fruition because of a sort of human counterfeit. This is how fashion men are made. With such an oversized ego, they take over other people’s ideas to take credit for them. Like D Grumler who takes credit for the creation of the investment bank: idea and realization of Jacques Mouclier, or this Mr. “J Tongue of wood” who would have had the idea of the square courtyard of the Louvre for the catwalks of Haute Couture, but in reality, idea to be attributed to Pierre Berger and Jacques Mouclier.
Satoshi Kondo, Creative Director at Issey Miyake, conceived his collection by the onomatopoeic analysis of Japanese words that describe acts of making processes. Toritori (the state of being different), Konekone (kneading), Goshigoshi (smudging), Kukkiri (the condition of being sharp and clear), spah (the sound of cutting something with a sharp object) are some of the words that are used in the colloquial language to describe these manual actions, and that the designer used to create the collection. 
“But I’m Kanye’s cousin,” said a woman in French at the gates of the Oscar Niemeyer Communist Party headquarters, as the building blinked bright white with light tests. To no avail: Unless she’d been in the car with North West (the real star of the evening), or was on the list, the putative cousin wasn’t getting in on Monday night for the Yeezy 8 show.
On Monday, organizers of Tokyo Fashion Week announced that the fall season of Japan’s largest fashion event had been cancelled. It was scheduled to run for six days, from March 16 to 21. The announcement comes after several individual brands, including Hyke and Vivienne Tam, had already called off their Tokyo shows.
Nadège Vanhee-Cybulski decided to pare the women’s wear back to a graphic essence. In keeping with the Hermès 2020 theme, “Innovation in the Making,” she presented a “manifest of purity,” as she called it, on a set of striped vertical bars reminiscent of horse jump poles.
Flashy chain mail knights: no, we’re not in Domrémy and we’re not going to push the English out of the conciergerie. A place probably rightly chosen by Julien Dossena, given my neighbors who do not detonate with the concierges on the nearby rue St-Denis.
The cocktail celebrating the 20 semifinalists for the LVMH Prize for Young Designers is the latest event to fall victim to the coronavirus scare.
Claudia Marcocci has been appointed brand general director of Parfums Christian Dior.
Breaking news: Raf Simons is the new co-creative director of Prada. He is to work in partnership with Miuccia Prada “with equal responsibilities for creative input and decision making,” the company said Sunday.
Silvia Venturini Fendi is in charge now, and on Thursday night she put inclusivity front and center on the Fendi runway with more sizes (Paloma Elsesser) and ages (Carolyn Murphy and Karen Elson), marking a new era for the house.
Smart and real, Michele was humbly asking you to come to the show, if you didn’t have anything better to do. From the thoughtful invitation to the warm welcome, the entrance was directly backstage where makeup was in progress and the designer was greeting everybody.
After last season’s oversized extravaganza, Victoria Beckham reined it in with a collection that took in shorter lengths and nodded to school uniforms in traditional tweeds, checks.
Jacobs is an extraordinary designer, his part showmanship. Over the years, he has staged some incredibly engaging shows, the kind now called “experiential.” This was a museum-worthy performance-art piece one that would sell a lot of tickets.
Kaitlyn Dever in a custom red Louis Vuitton strapless gown and stole made of GOTS (Global Organic Textile Standard) Taroni silk-satin embroidered with red-blue beads at the Vermont Atelier in Paris, certified according to the Oeko-Tex Standard 100 and approved by the Red Carpet Green Dress organization. Who knows what all that gobbledy-greengook means exactly, but it sounds good coming from a brand whose parent LVMH has faced criticism for not signing the United Nations' fashion industry charter for climate action.