Louis Vuitton has unveiled the names of the eight finalists for the LVMH Prize for Young Designers, and for the first time, designers from Nigeria, South Africa and Israel have made the final round of the competition.
“We are very proud of the international dimension of the prize. It’s really what sets it apart,” Delphine Arnault, the force behind the initiative. “The LVMH Prize is global. It reflects the fact that fashion is now a global market, with a capacity to reach and to touch more and more people, namely thanks to the Internet.”
Among those competing for a grand prize of 300,000 euros, plus a year of coaching from experts at family-controlled LVMH the parent of brands including Louis Vuitton, Dior and Fendi .
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Galeries Lafayette believes its China operations can become a one billion euro business and the French retailer aims to have ten stores across the nation by 2025, including a new store here that soft opened Saturday and a Beijing unit.
According to a well-informed source in London, Paul Surridge would have resigned, or is closed to taking that step, leaving his role as creative director of the Roberto Cavalli brand. An announcement is expected to come as early as this weekend.
Harper’s Bazaar Arabia is bringing in a new lead editor with a design-laden background.
The gilets jaunes movement shows no sign of dying down. Protests took a particularly violent turn on the Avenue des Champs-Elysées, echoing the first acts of vandalism witnessed on Nov. 24. Parts of Fouquet’s, a high-end restaurant known for having hosted former French president Nicolas Sarkozy’s election party, were set on fire.
Wednesday afternoon, a number of Facebook and Instagram users were having trouble accessing their accounts. According to DownDetector.com, tens of thousands of users haven’t been able to access their social media accounts since roughly noon Eastern Standard Time.
On Tuesday evening, guests arrived at the venue to discover a reproduction of another Paris art institution, the Centre Pompidou, built by architects Renzo Piano and Richard Rogers, in a groundbreaking style that caused an uproar when it opened in 1977.
Karl Lagerfeld’s last show for Chanel opened with a moment of silence, and the vast Grand Palais was as hushed as the mountain village depicted in the set, rows of wooden chalets, their chimneys smoking, set among pine trees and mounds of fake snow.
A clear tent under moonlit trees in the Jardin de Plantes undoubtedly held appeal for Givenchy’s “Winter of Eden”-themed fashion show. But maybe think twice before cramming 1,000 people in a space the length of a city block with only one way out through a dark tunnel of dizzying lights and pounding club beats?
On Saturday night, Slimane introduced Celine’s new woman, and she is a woman chic, knowing and a direct descendant of a particular stylish archetype of years past. In a little fashion irony, Slimane always installs a modernist set. This time, his first model descended from on high in a big light box, emerging onto the runway in all her retro glory. Her look: the sort of confident, sporty élan that ruled bourgeois Parisian style, and emanated well beyond that sphere, in that well-dressed period from the mid-Seventies into the Eighties, before the latter decade turned hideous. The aura travels well, across time and through modern life.
Alessandro Dell’Acqua has been delving into the couture heritage of Rochas for a couple of seasons, as a form of antidote to the streetwear flooding luxury fashion. Or perhaps he was inspired by the launch of the house’s latest fragrance, Mademoiselle Rochas Couture, a bottle of which was placed on each seat.