A clear tent under moonlit trees in the Jardin de Plantes undoubtedly held appeal for Givenchy’s “Winter of Eden”-themed fashion show. But maybe think twice before cramming 1,000 people in a space the length of a city block with only one way out through a dark tunnel of dizzying lights and pounding club beats?
Pick up old British grandma styles, early 90s aristocracy, punkish girls, urban functionality, jewel gowns and shake them all together to see what should come out. Clare Waight Keller at Givenchy did it and the result was not great.
The coats and jackets were powerful with spiky or rounded big shoulders, plissé printed tight poly silk dress, long and cozy knitwear, urban functional puffy down bombers, Japanese herringbone wools, and precious evening garments and tuxedos were balanced and aesthetically catchy.
The smart idea of Waight Keller wasn’t just an over mixed crazy style, but a culture clash between young and old with a lot of differences in term of aesthetics.
The Verdict: Givenchy’s first new fragrance, meant as a Millennial answer “to Very Irrésistible”, failed to fully impress our panel of journalist. While the scent was immediately recognized for its luxurious blend of ingredients or, as canal-luxe said, for smelling “like money” and a few found it “elegant” and “delicate” the general consensus was that L’INTERDIT is a bit of a snooze. Despite the criticism, at least one journalist realized the house of LVMH ambitions with the fragrance, calling it “an ode…to ladies who still lunch;
A boring, fruity floral like so many since the Nineties.” When you spray the perfume, you have an immediate feeling of a very rich fragrance…but then it becomes too heavy. There is a lack of clarity and distinction certainly extremely quality raw materials, but not mixing well together. Continue reading
On 11 September 75 models have presented the Givenchy black and white collection Spring/Summer 2016 with the skyline in the background of the new World Trade Center and paraded to the sound of a Buddhist monk in honor of 911.
Among the true stars who were all on time were invited Julia Roberts, Uma Thurman and Amanda Seygried, the rapper Nicki Minaj, the Alexander Wang, Michael Kors and Vera Wang designers. 800 members of the public had been drawn to attend at the outdoor show as well as over 200 fashion school students.
The guests were seated on wooden pallets sometimes installed in small constructions open on the sky, made of recycled wood and rusty metal sheets, built for the occasion on Pier 26, a huge pier on the Hudson, south of Manhattan. Riccardo Tisci conceived the show in association with the Serbian artist Marina Abramovic. Continue reading
“His are the only clothes in which I am myself. He is far more than a couturier, he is a creator of personality,” Hubert de Givenchy’s muse Audrey Hepburn said of the designer. Loved by some of the most iconic stars of the 20th Century – from Grace Kelly, Elizabeth Taylor, Jackie Kennedy and Wallis Simpson, to his most famous muse Audrey Hepburn – Givenchy’s name and legacy have been synonymous with Parisian chic for more than 50 years.
In 1927, he was born Hubert James Taffin de Givenchy. He came from an aristocratic family in the French city of Beauvais. The family’s nobility stemmed from his father’s side from the 18th Century, and artistic professions ran through his mother’s hereditary line.
Givenchy enrolled at the Ecole des Beaux-Arts. He began his career as an apprentice of Jacques Fath in 1945, and continued to learn the art of the couturier over the following years from Robert Piguet, Lucien Lelong and the legendary Italian Continue reading