By all accounts, Giambattista Valli’s move into haute couture in 2012 was a risky one. In the previous years, Yves Saint Laurent, Christian Lacroix, Emanuel Ungaro, Balmain, Jean-Louis Scherrer and Hanae Mori discontinued their high-fashion operations, and the rarified, costly enterprise appeared to be crumbling.

During the Pandemic, Valli held several still-life exhibitions of his haute couture instead of runway displays, and they attracted a steady stream of visitors, not just fashion fans.

It is the wonderment that haute couture evokes that drives the designer to create. There are few people who can tell whether the front row is occupied by a princess or a workman.

Having spent seven years designing RTW at the elbow of Emanuel Ungaro, the Rome-born designer launched his signature line in Paris in 2005. In addition to Roberto Capucci, Fendi, and Krizia, he has worked at Roberto Capucci, Fendi and Krizia.

The imagination, took to the runway for the Parisian debut of Nigerian-born, London-based designer Mowalola Ogunlesi.

Cue a lineup of sleek shapes in pop colors that evoked saucy pulp comics, with abbreviated outfits that showed plenty of skin imagine & sexpots projected into the TikTok era.

In the face of ever-changing resources, unexpected obstacles, and a world that is digitizing new standards of reality, my sentiment is that unwavering creativity is the essence of living.

The words of philosopher Nietzsche read on the show notes at Marc Jacobs’ latest runway show, “We share our choices with a world beyond our insulated but not impermeable walls.”.

With this collection, Jacobs took his enveloping, dystopian shapes to the next level, merging classic American sportswear silhouettes with couture-like sensibilities (fabrics included vinyl, rubber, plastic, plaster, glass, foil, and more). The fall of 2022 was an extension of the message of protection from spring and fall of 2021, with quirky, cool aesthetics.

“Reaching beyond the walls of the library and onto the big screens of Times Square, the show demonstrated the power of fashion and Jacobs’s creative ability that has made him a star.” is the critique of pure reason.

The collection Thom Browne showed at Hôtel de Crillon on Sunday night. Male models, some with spiky punk hairdos, strode down the catwalk in a lineup tweed ensembles. Probably it was an homage to Chanel but also to Browne’s creativity: The fabrics were developed in France specifically for the brand, and many came edged in sequins or festooned with tiny white tufts, like bits of Peter Cottontail’s nether regions.

Leonardo Del Vecchio pass away at 87. A genius, a visionary, an Italian who inspired many just left us. Thank you Leonardo for teaching us a lot.

It was, without doubt, a visionary man and one of the most successful Italian entrepreneurs of the past decades. Through his tireless work, he strongly influenced not only the luxury sector, but the entire Italian economic landscape.

Today we lost a man with and extraordinary humanity, capable of transforming great intuitions into successful entrepreneurial stories. Constantly in pursuit of absolute perfection, Leonardo Del Vecchio will remain a point of reference for Italian excellence all over the world.

The end of the world is depicted in Apocalypse Now and End of Days by Rick Owens. Three orbs about two meters across were set on fire, and then slowly raised high above us, then dropped to a sizzling impact in the fountain of the Palais de Tokyo.

The great balls of fire represent suns, arcing across the sky, and crashing to the ground.

Owens had been in Egypt and named the collection Edfu, after the site of the Ptolemaic Temple of Horus. However the only literal souvenirs of that journey on the runway today were the three top-to-toe tulle looks near the end.

Raf Simons and Miuccia Prada were similarly enamored, dedicating much of their spring shows to short leather and denim shorts, with bare legs ending in cowboy boots with pointed toes, souvenir of Raf’s childhood and Macadam Cowboy, maybe

The 90-year-old New York-based beauty company, whose brands include namesake Revlon, Elizabeth Arden and Almay, has been struggling with a hefty pile of debt listed as $3.7 billion that it spent much of 2020 renegotiating, which enabled it to avoid a more formal restructuring process then. But supply chain issues, soaring inflation and increased competition from the likes of The Estée Lauder Cos. and Coty Inc. and a plethora of digital start-ups have only exacerbated the situation, and these factors combined with loans coming up for renewal forced it to once again consider bankruptcy.

Today’s filing will allow Revlon to offer our consumers the iconic products we have delivered for decades, while providing a clearer path for our future growth.

In the filing, Revlon stated that it is receiving a $575 million in debtor-in-possession financing from its existing lender base, which in addition to the existing working capital facility, will provide liquidity to support day-to-day operations.

While visiting Zurich airport to scout locations for a Vetements photo shoot, Guram Gvasalia spotted a building under construction with rows of white, industrial beams slanting over a triangular void.

The label combines elements from the designer’s dual Indian-Nigerian heritage and London roots. It explores the potential of vintage and surplus clothing by giving existing material a new life through various textile and patchwork techniques. This means that many Ahluwalia pieces are one of a kind.

Inspired by art, music and literature, much of the work created by Ahluwalia go beyond her collections and include collaborative campaigns, books and films.

Ahluwalia is deemed as a pioneer in the fashion industry and is regularly featured in press from all over the world, from the New York Times and i-D to Vogue and many more.

Ahluwalia is available in renowned stores worldwide, including Matches Fashion, Browns, Bergdorf Goodman, Ssense and Nordstrom.

Christie’s is set to auction de Givenchy’s estate in Paris next week, highlighting the eye of the designer and ambassador for French taste as Givenchy celebrates its 70th anniversary.

After Elon Musk, Internet users can now follow the journeys of the personal plane of the prince of luxury. For several days, a website highlights the extremely polluting, and sometimes even useless, travels of the Lord, president of “Mouette and Psy”.

Indeed, the account reveals impressive CO2 emissions. Last month the private jet spent 176 tons of CO2, it means 17 years of consumption for an average French person. The CEO of the group owns a private jet “Bombardier Global Express” at an estimated value of 48M€, without options. Combining performance and comfort, this business jet is considered as one of the most efficient private jets in the world. It has a range of 13,000 km, allowing it to fly internationally to its 54-square kilometer island paradise in Bahamas.

The only hamburger that the lord loves was Karl Lagerfeld. As of the end of the month, Martin Brok, who was appointed CEO and president in September 2020, will depart from the company. LVMH Moet Hennessy Louis Vuitton’s chairman and CEO, Chris de Lapuente, who also oversees the group’s Perfumes and Cosmetics activities, will serve as president and chief executive officer of Sephora.

I have no comment, but according to an internal release obtained Brok’s departure is “due to a divergence of views.” Would the relationship with the lord be difficult?

Brok prior to that he was at Nike for eight years, where he oversaw the company’s direct to consumer business and was vice president of global product and merchandising operations and analytics.

His departure comes at a critical moment for Sephora, the only prestige beauty retailer with a global presence. Employment, how do you explain the labor shortage that threatens several sectors?

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British designer Steven Stokey-Daley, 25, has captured hearts and minds with his theatrical shows at London Fashion Week that view the British class system through a queer lens, gaining high-profile fans including Harry Styles, who wore his graduate collection in his “Golden” music video.

Oscar-winning actress Cate Blanchett revealed the winner at the Louis Vuitton Foundation in the presence of jury members including Kim Jones; Maria Grazia Chiuri; Nigo, the new artistic director of Kenzo; Silvia Venturini Fendi; Stella McCartney; Nicolas Ghesquière; Jonathan Anderson, and Delphine Arnault, the force behind the prize and a key talent scout at luxury giant LVMH Moët Hennessy Louis Vuitton.

The Nigerian-born, London-raised designer Idris Balogun impressed the judges with his menswear brand Winnie, rooted in his experience as an apprentice on London’s exclusive Savile Row, and as a senior menswear designer for Burberry and Tom Ford.

The jury was moved by the mettle of a group of designers emerging in the midst of a global pandemic.

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