BECKHAM SCHOOL UNIFORM

After last season’s oversized extravaganza, Victoria Beckham reined it in with a collection that took in shorter lengths and nodded to school uniforms in traditional tweeds, checks.

The designer took Penelope Tree and the ever-cool Marisa Berenson as her inspirations, pairing her tweed, plaid or dark wool A-line skirts and culottes with high, thigh-gripping leather boots. She sliced a few inches off her trousers, too, teaming them with long, tailored jackets and more high boots with gently curving heels.

I like how a sexy, tight boot feels and I think it is a strong statement. It toughens the look up, pointing to the ruching effect on the leg of her new boots with their curvy “banana” heels.

Other proportions were shorter, too, as in thigh-skimming tunic dresses with billowy or cape sleeves, and shapely shirtdresses done in a lumberjack plaid. The clutch of slim, cleavage-flashing black dresses that opened the show , will give Beckham’s loyal customers options, and keep them coming back for more. Continue reading

CALL ME MARC THE GOOD GUY

Jacobs is an extraordinary designer, his part showmanship. Over the years, he has staged some incredibly engaging shows, the kind now called “experiential.” This was a museum-worthy performance-art piece one that would sell a lot of tickets.

It’s ‘Drastic-Classicism, which we took from Karole, during a late-night preview, referring to the dancer’s 1981 work of the same name.

Less obvious, a pink and blue evening-bedecked twosome looked like grown-up glam versions of the creepy twins of “The Shining.” “It’s more the idea of age and stages in our careers, fashion designers, people who love fashion, people we have always admired, the things we return to, the things we revisit.”

jacobs characterized the collection as joyful, but differently so than last season’s over-the-top, maximalist romp. But the clothes were an in-depth treatise on sartorial refinement. There was so, so much there, all of it highly considered and impeccably crafted. Many, particularly the fabulous range of coats and jackets, could be called minimal. Continue reading

PARIS FASHION CORONAVIRUS

The coronavirus has taken its toll on the Paris Fashion Week schedule: Masha Ma, Shiatzy Chen, Uma Wang, Jarel Zhang, Calvin Luo and Maison Mai have cancelled their planned events in the French capital because of the outbreak, organizers said on Tuesday.

La Fédération de la Haute Couture et de la Mode, French fashion’s governing body, announced the cancellations as it gears up for the fall ready-to-wear shows and presentations, due to take place from Feb. 24 to March 3. Continue reading

GLOBAL ORGANIC TEXTILE

Kaitlyn Dever in a custom red Louis Vuitton strapless gown and stole made of GOTS (Global Organic Textile Standard) Taroni silk-satin embroidered with red-blue beads at the Vermont Atelier in Paris, certified according to the Oeko-Tex Standard 100 and approved by the Red Carpet Green Dress organization. Who knows what all that gobbledy-greengook means exactly, but it sounds good coming from a brand whose parent LVMH has faced criticism for not signing the United Nations' fashion industry charter for climate action.

Louis Vuitton designer Nicolas Ghesquière has had a banner red-carpet season, no doubt about it. On Sunday, he also dressed Lea Seydoux using certified ivory silk, and a new wood fiber textile developed by Tencel Luxe that will hit the market this May.

When you think about it, it’s tragic, but it’s part of the human condition. We really wasted our planet in a way, said Seydoux during a fitting at the Chateau Marmont earlier in the week, when the street was closed off so Oscars sponsor Cadillac could crane in a 2021 Escalade to sit poolside for a cocktail bash. Continue reading

R13 NEW YORK 2020

In 2009, Chris Leba launched R13, a cool-girl denim brand that can now be found at top retailers like Barneys, Shopbop and Totokaelo. Only, not a lot of people knew he was behind it, because until December, he had a full time job as a VP at Ralph Lauren. All press around the brand noted that it had an “anonymous” creative director, à la Margiela pre-Galliano. Continue reading

THEYSKENS NEW CREATIVE DIRECTOR AT AZZARO

Designer Olivier Theyskens has been appointed by fashion house Azzaro as the new creative director. Theyskens succeeds Maxime Simoëns, who has resigned the position of creative director to the brand last year.

Theyskens will show his first collection for the fashion house during the couture week in Paris from 5 to 9 July. “There is a style from the sixties and seventies that is clearly about sensual and beautiful femininity,”. The designer will use the heritage of the fashion house for inspiration and translate it into contemporary fashion.

When Theyskens was at the head of Rochas and Nina Ricci, he frequently used historical references in the garments. That the designer will do the same at Azzaro is therefore in line with expectations, and in 2016 he revived his own label of the same name. He will continue to design for this, says the designer .

HOLLYWOOD GIANT DIES AT 103

Sure, you can’t discuss Kirk Douglas without mentioning the chin. That famously dimpled chin, which you’d never believe on a statue, nonetheless gave the Hollywood icon a granite jaw that served him well as a leading man for more than 60 years. But you also have to give Douglas who died Wednesday at the age of 103 credit for those piercing eyes, which gave the Spartacus star his relentless intensity. The chin made him a star, but the eyes made him an actor.

Given the eyes and the jaw, Douglas was equally adept at playing heroes and cads. He rose to fame playing the latter, in movies like Out of the Past, Champion Ace in the Hole (as a scruple-free reporter), and Hollywood exposé The Bad and the Beautiful. But he soon moved to nobler, if equally volatile characters, in such films as 20,000 Leagues Under the Sea, The Vikings, Gunfight at the O.K. Corral , Lust for Life (where, as Vincent Van Gogh, he hid his dimple under a beard), Paths of Glory, and of course, Spartacus. Continue reading

NEWS FROM TIFFANY AND CO

When the luxury jeweler’s shareholders gathered at its New York headquarters Tuesday morning to vote on the mega sale to Arnault’s LVMH Moët Hennessy Louis Vuitton, it was in all the important ways, already a done deal. (Arnault wasn’t on the scene, but later issued a statement praising the go-ahead of the transaction, the largest deal ever in the luxury space).

The meeting was a formality and little resistance was expected to the deal, struck in November at $135 a share. Investors holding about 72 percent of Tiffany’s stock were represented at the meeting, although the majority of those shares appeared to be voted by proxy.

In the room sipping free coffee, nibbling on croissants, chatting with chief executive officer Alessandro Bogliolo and reading over the rules of the meeting was an eclectic group of smaller shareholders and employees. Continue reading

ZIAD NAKAD SPECTACULARLY YOUR’S

Ziad Nakad’s timeless pieces, defy the galaxies with spectacular dresses carrying women into a dream, like clear midnight blue constellations staring at the stars on silver tulle thrust into the fashion spotlight and intoxicated with the transparent and sublime night. Ziad Nakad awakens the deepest dreams with his pastel colours, champagne, silver and sunshine red which glow in the infinite showing us an imposing volcanic soul and creating chaos in ourselves.

This spiritual son of Elie Saab designs for the wealthiest European princesses and from his native Lebanon telling us tales of the thousand and one nights and illuminating fashion like Aladdin and his magic lamp.

His precious wardrobe is made of bountiful rivers of embroidery and precious gemstones, ultra-feminine with the sexiest sheath dresses decked out in spectacular drapes honouring the stars of his native orient. Continue reading

PUCCI SERIAL DESIGNER

Emilio Pucci is to invite guest creatives to interpret its rich heritage, starting with Christelle Kocher, a French designer whose ready-to-wear label Koché is well-known for vibrant patchworks, prints and streetwise savvy.

Revealing the new strategy, the Italian brand said it would unveil a fall collection of rtw and accessories by Kocher on Feb. 20 during Milan Fashion Week.

Controlled by LVMH Moët Hennessy Louis Vuitton for the past 20 years, Emilio Pucci has experimented with a variety of permanent designers, including Julio Espada, Christian Lacroix, Matthew Williamson, Peter Dundas and MSGM’s Massimo Giorgetti. Since Giorgetti exited in 2017, an internal team has turned out collections as LVMH executives pondered the best way forward for the Florentine house.

Engaging serial collaborators rather than a full-time creative director is becoming a more common business model, pioneered by Ruffo Research in the late Nineties and adopted in recent years by larger brands such as Moncler and Tod’s.

Sidney Toledano, chairman and chief executive officer of LVMH Fashion Group, said the approach will inject more creativity, which is a passion for the French group and its leader the lord of the rings.

CARDI B WITH MUGLER

After her viral Venus sheath dress moment at last year’s Grammy Awards, Cardi B teamed once again with Mugler for another high-fashion moment.

The Grammy winner, who skipped out on the 2020 Grammy Awards red carpet, joined forces with Mugler designer Casey Cadwallader and her stylist, Kollin Carter, to create a custom-made nude dress embellished with an array of crystals and a cascading train.

Cardi paired the look with a custom-made Gismondi 1754 necklace featuring 310 carats of white diamonds.

“From the moment I saw it, I knew it was going to be a debatable moment, some people would love it and some people would hate it and that’s everything we’re about when it comes to fashion,” he said.

YANINA COUTURE IN PARIS

The Museum of Modern Art of the city of Paris was far too small to accommodate the Russian diaspora present. All the Russians from Paris were there, except for Countess Ignatieff, my friend, who was not invited, “Don’t worry, you will get an invitation when she will make real Haute Couture, and when you will be a real Countess”.

In reality, this collection was a bit confusing, because you can find the worst as well as the best: some dresses are quite badly finished and cut by a model who obviously doesn’t know her trade and probably works the “feston” stitches with boxing gloves, and, at the same time, you discover a marvel that appears to you like this yellow dress with a bustier of flower petals straight out of Monet’s gardens and of the most beautiful effect. The dichotomy between the two pieces is so obvious that you can only think that there are two designers in the house.

One could imagine that the very transparent black dresses of the models, who paraded before me, lifted the veil on the hot nights of St. Petersburg. Continue reading

DIOR, MY MOTHER’S WIFE

Dior comes to pose a structure of the lying woman’s body, Here is a structure that is more reminiscent of an extravagant sculpture by Anish Kapoor posed like a big piece of excrement in the middle of Paris.

It is in this same museum that Camille Claudel had shown through her creations all the femininity of the world. Does Maria Chiuri dream of this one? As a tribute to her Roman upbringing, the mannequins, all sails floating outside, remind us of the Roman virginal vestals, the very ones who took vows of celibacy to honour the goddess Vesta.

Yet, under the invisible tutelage of an angel, the creator is drunk with sunshine. Here is the ambrosia and the nectar of vermeil running between the dresses of her predecessors (Josse, Franck Sorbier and Hervé Léger) remixed with a dress from the 1930s; a nod to Judy Chicago, a visual artist and activist of her state, to end up making a collection worthy of Louisa Spagnoli. Continue reading

THOM BROWNE PARIS 2020

The collection, on display in his Paris showroom, was heavy on custom-made Harris Tweeds, which he worked into navy blue plaid blazers with fringed lapels and casual quilted puffer vests. There were also gray flannel wool coats and blazers, and a one-button, black-tie jacket, dotted with little animals, from the jungle and the barnyard, floating across them.

JOKER OSCARS NOMINEES

The Academy revealed the full list of 2020 Oscars nominees this morning, with “Joker” leading the pack with 11 nominations, including best actor for Joaquin Phoenix, best director for Todd Phillips and best picture.

Netflix also racked up a number of nominations for the 92nd annual Academy Awards with “The Irishman” receiving 10 nominations and “Marriage Story” receiving six nominations.

The 2020 Oscars will be held on Feb. 9 at the Dolby Theatre in Los Angeles. The awards ceremony is going without a host for its second consecutive year.

Read on to see the full list of 2020 Oscars nominees. Continue reading

TANFIN THE FEATHER OF KINGS

Babylon boasted its brick walls, Rhode had its colossus renamed proud, and Egypt made peaks with admirable masses of stone. For my part, the work of the pen comes from a miracle from heaven. But, who knows that the feathers of crows, heather cockerels and ducks were used for fine writing and the feathers of vultures and eagles for writing with broad strokes?

The goose quill is known to the Romans for writing on parchment and papyrus in the 4th century, but the Egyptians preferred calamus, which is where the calami slip comes from: a written slip, as opposed to the linguae slip, spoken.

The plumage is probably as old as human societies. The art of plucking is a sacred art and this manual craft requires great dexterity and concentration. Valérie Tanfin works the feather in all its forms: from the most meticulous and delicate to the most gigantic and extravagant. Her rare know-how blends both tradition and modernity. Continue reading