It’s like being invited to brunch at the designer’s house when you attend a Julie de Libran couture show. Watch models wind their way through the basement floor’s living room, inner courtyard, and kitchen while eating finger sandwiches and biscuits stamped with her initials.
inspired by a Peter Lindbergh photograph of Amber Valletta with angel wings. Meanwhile, surplus items from her collaboration with Eres, including lace bodysuits, bra tops and leggings, were given a new lease on life with a bedazzling of chunky Swarovski crystals.
This season, de Libran partnered with French specialist Causse on items including scooped silver driving gloves trimmed with a chain, and bicolor evening gloves. She also teamed with beauty brand Sisley on a black leather lipstick holder worn around the neck. finally a collection made by others.
“Beauty is resilience, not escapism, and creativity is the only means to contrast dictatorial decisions,” Piccioli said.
Maybe the most curious contradiction about fashion right now is its status as a pillar of Polish culture.
One nugget of advice Olivier Rousteing received from Jean Paul Gaultier for his one-off couture collection: Just be yourself, that is, to be bad?. A profound statement (if you know what I mean) from a French fashion legend synonymous with unfettered self-expression and presaging a process of discovery for Rousteing, who has spent most of his fashion career at Balmain, which he overhauled and reenergized in his own image.
By all accounts, Giambattista Valli’s move into haute couture in 2012 was a risky one. In the previous years, Yves Saint Laurent, Christian Lacroix, Emanuel Ungaro, Balmain, Jean-Louis Scherrer and Hanae Mori discontinued their high-fashion operations, and the rarified, costly enterprise appeared to be crumbling.
In the face of ever-changing resources, unexpected obstacles, and a world that is digitizing new standards of reality, my sentiment is that unwavering creativity is the essence of living.
Leonardo Del Vecchio pass away at 87. A genius, a visionary, an Italian who inspired many just left us. Thank you Leonardo for teaching us a lot.
The end of the world is depicted in Apocalypse Now and End of Days by Rick Owens. Three orbs about two meters across were set on fire, and then slowly raised high above us, then dropped to a sizzling impact in the fountain of the Palais de Tokyo.
It was a show of his greatest hits. The Théâtre de la Madeleine was the place to see Walter Van Beirendonck’s fine tailoring, madcap prints, and sportswear elements for spring 2023.
Before Paris, fashion week the most sleeping fashion week in EU, It was terrific to be back in Milan.
Regé-Jean page Duke of Hastings has given to Armani the new Code of the men’s fragrance franchise launched 18 years ago, a new look and a new fragrance.Manu Cossu and Damon Baker are directing and shooting the campaign. It debuts in September.
It is like a sun that suddenly breaks through the clouds to reveal a landscape or when a city flooded with light is transformed in one second, and so everything changes so that nothing changes.
The 90-year-old New York-based beauty company, whose brands include namesake Revlon, Elizabeth Arden and Almay, has been struggling with a hefty pile of debt listed as $3.7 billion that it spent much of 2020 renegotiating, which enabled it to avoid a more formal restructuring process then. But supply chain issues, soaring inflation and increased competition from the likes of The Estée Lauder Cos. and Coty Inc. and a plethora of digital start-ups have only exacerbated the situation, and these factors combined with loans coming up for renewal forced it to once again consider bankruptcy.