The title sounds like a philosophical fable, a dreamlike tale, a belief shared by believers from all walks of life. But he speaks, above all, despite his backward references, of an increasingly hot topicality on the subject of wealth and poverty.
Some time ago, the magazine « L’Histoire » had the headline « The Rich and the Poor, 1000 years of inequality ». Far from me the idea of any morality or a trial of intent. I must admit that I had a lot of trouble choosing the direction of this collection. To be honest, I didn’t want to choose and each character finally found its place.` The Servant, the Ferryman and the Relic.
The Servant embodies a girl of the woods, glades and ponds. A peasant woman who evolves in a bucolic universe which translates my desire for stripping back.
Jean-Jacques Rousseau, who has never left my thoughts, is once again present in Ermenonville, not far from Chaalis. He will live there for the last ten years of his life. Here, he is at the heart of his deep convictions, those related to nature. Continue reading
Friends of the walks in poetry, here is the secret garden of Franck Sorbier … It is the first magic note played on the silver rope of a heart in summer, the caress of the eyes of the whole Fashion Week, a message which delivers the ineffable and exhilarating secrets of the week. 
Poetry and Haute Couture are the highlights of Franck Sorbier presentation, the unique and exclusive Paris Fashion show and those who attended belong to the Paris intelligentsia.
Franck Sorbier is not just Fashion, it is a performance of art. Many dancers swirled to a hypnotic drum at the Guimet Museum of Asian art.
Franck Sorbier’s fashion shows are always a exceptional and magic moment. In 2013, the poet, Franck Sorbier, has choosen to reinterpret the tale of “Peau d’Ane”. There is some Magic in the Telling … “Discovering the Dreamer of Franck Sorbier”.
Franck Sorbier’s fashion shows are always an exceptional and magic moment. For the poet, Haute Couture is a land that imagination forgot. Many will speak of it as legend or as fantasy or even as mythology. And that is perfectly fine. We have no objection. However, Haute Couture is a real fact of life. And, as you cross the Bridge of Belief, as you imagine yourself lifting out of the logic and out of the reason of the consensus reality, moving beyond time and space and beyond time-space, you can find that that land is and has been forgotten by the imagination.
Candles were burning. In the air there was the scent of burning wax. You had the feeling to be in the XIX century at the time of what was called “La Belle Epoque”. They had recreated the atmosphere of a boudoir. In the flickering light, the set looked like the bohemian curio salon, where poets like Rimbaud, Verlaine, Musset and so many others were debating and redesigning the world – and occasionally indulge in absinthe. French singer Emilie Simon opened the show with the song “Paris, j’ai pris perpète”.