Guo Pei took to the temple, allowing her imagination to roam a spiritual safe haven of palatial proportions. With elaborate craftsmanship as the driving force, the designer offered a wide-ranging futuristic and Gothic-infused lineup, part warrior princess, part illustrious queen.
An unusual experiment with waders came at the start of the show, covered in golden-hued dragons and hanging open at the thigh to reveal a pair of bright blue HotPants. On top, more skin, with tasseled shoulder armor leaving an exposed bellybutton.
The complexity of her pieces can be overwhelming, even if they’re sent down the runway at a snail’s pace affording time for a good look. Models were perched on towering platform shoes architectural pieces, too, like the garments.
Her dragons were everywhere, hailing from the Han dynasty, which had them slim and masterful at transforming themselves as was the clothing.
In an example of her East-meets-West aesthetic, Guo embellished a colorful tweed with large, randomly placed rhinestones, and used it to build one of the wider pieces, overlaying a body-fitting bustier.
Lanvin has appointed Bruno Sialelli artistic director, signaling new direction for the historic French house. “His singular and very personal vision, his audacity, his culture, his energy and ability to build a strong creative team definitely convinced us,” said Lanvin chief executive officer Jean-Philippe Hecquet.
Tory Burch and Pierre-Yves Roussel have joined forces at work and at home. Tory Burch (née Robinson; born June 17, 1966) is an American fashion designer, businesswomant.
Streetwear on the runways of Paris has always been that vision that I’ve shared with my friends, the ultimate opportunity to present some new fresh ideas in a city and platform that we have always looked up to,” said Heron Preston, who today at the Palais de Tokyo will present the first runway show of his namesake label, as part of the official calendar of Paris Men’s Fashion Week.
As canal-luxe first reported in September, the 80 year old beauty glossy magazine is ceasing to be a traditional print publication at the start of 2019. The move comes as a surprise to no one as simply looking at the latest issue of the magazine, pamphlet size at barely more than 100 pages with roughly 40 pages of third-party ads, is a clear indicator that things in print are far from what they once were.
Christopher Raeburn’s is celebrating his 10 years in business in which many of his contemporaries have fallen by the wayside. In large part, that’s doubtlessly due to the bracing reality of the clothes he creates: functional, intelligible, simple, desirable. But his philosophy – to make fashion in a responsible, open, and transparent way has gone from being a fringe concern to becoming a core part of the industry’s conversations with itself, and with a wider world. His anniversary show was dedicated to Raeburn’s greatest hits utility-focused outerwear, no-nonsence knits, streamlined joggers.
Dior celebrates the festive season where magical window scenarios, lighting and paper creations come together elegantly with a nod to their destination through iconic landscape representations such as the London Eye for Dior’s windows at Harrods.
Compagnie Financière Richemont has become the latest international corporation to join Alibaba’s Anti-Counterfeiting Alliance, which aims to protect intellectual property rights on the e-commerce giant’s platforms.
Chanel has opened the door of the prestigious ski resort of Courchevel in the French Alps.