CELINE NOT TIK BUT TOK

Celine is new to the TIkTok platform, with about 5,000 followers, and livestreamed its spring men’s wear show, a slick production with models hoofing it around an old motor-racing track near Marseille, some wearing sparkly helmets.

Hedi Slimane paraded seemed aimed squarely at Gen Z, no matter if some users of the app don’t seem to have a clue that Celine is a luxury French fashion brand and that Slimane is known for commissioning a single track of music and stretching it over 15 minutes. “Change the song,” countless TikTokers urged as the number of viewers quickly thinned out. Continue reading

CÉLINE PARIS FASHION WEEK

On Saturday night, Slimane introduced Celine’s new woman, and she is a woman chic, knowing and a direct descendant of a particular stylish archetype of years past. In a little fashion irony, Slimane always installs a modernist set. This time, his first model descended from on high in a big light box, emerging onto the runway in all her retro glory. Her look: the sort of confident, sporty élan that ruled bourgeois Parisian style, and emanated well beyond that sphere, in that well-dressed period from the mid-Seventies into the Eighties, before the latter decade turned hideous. The aura travels well, across time and through modern life.

As usual, Slimane employed a laser-sharp focus. His primary message: a great, often mannish jacket atop an easy skirt or some variation of culottes, some full enough to be called, in the language of old, a split skirt, others streamlined into walking shorts. Continue reading