HERMES ELEGANCE LEATHER AND CAVALCADE

Under the glittering spotlights of the Garde Républicaine, Nadège gives us a shiver of leather, like a mirror of time, a faithful reflection that flamboyant vintage would not disavow, and like a trend that wraps itself on a breath of silk on the black skin of time. The spring to come dances under the weight of the wind’s skin, riding jackets and wise trousers, coats like sails ready to open, sculpted suits and daring coats for a woman in lambskin plunged into a bath of sexuality.

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SCHIAPARELLI WORLD WILD WEST

Hold on to your Stetson, Schiaparelli’s cowboy sheriff-in-chief Daniel Roseberry is determined to stay in the saddle. Having already pulled off the chic western trick last year, the Texan designer is back with a rawer version of the genre: hammered leather like rodeo chaps, shearling jackets worthy of a trapper escaped from a Scorsese film, and XXL buckle belts worn…

But the big revolution this season isn’t the overdose of accessories, but the switch from gold to copper at seven thousand euros a kilo. Yes, this noble and under-appreciated material which, in burnished chic mode, gives a satin dress the charm of an old copper pot and transforms a pair of pearl pyjamas into an involuntary homage to the drainpipe of an old bathtub belonging to the Duchess of Châtelet. A daring choice or a shortage of gilding in the workshops? It’s a mystery.

Whatever the case, Roseberry is making a radical departure from its ultra-corseted Haute Couture collection of January. A change that, according to him, has nothing to do with feminist awareness. No, no, he bristles at the idea that the corset was designed to appeal to men. We can therefore imagine that he designed it above all to enable women to better store their floating ribs on the side. A pure act of ergonomic design. No ?

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OFF-WHITE 2025 RESISTANCE

The title of Off-White’s fall show? “State of Resistance”. A bold name for a brand long celebrated for championing the Black community under the visionary leadership of the late, great Virgil Abloh. But times have changed since Abloh’s passing in 2021, and these days, designers are a little more hesitant to turn the runway into a soapbox.

Not Ibrahim Kamara, though. He’s here to remind us that community spirit and inclusive vision are still stitched into Off-White’s DNA. In today’s world, that might seem radical. Controversial, even. But really, isn’t it just about remembering how to exist alongside other humans without losing your style?

Kamara’s vision? Imagine Mars-style leather suits with varsity-style letters spelling out OO (Off-White? Or just Ooooh?). Biker jackets morphed into aerodynamic overcoats, while parkas and matching shorts featured just enough utility details to make you feel prepared for… whatever life throws at you.

There were also nods to tradition classic uniforms reimagined with ribbed panels and bold graphics inspired by the star and eagle from Ghana’s national emblem.

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AT THE OPERA OF FABRICS

Under the golden dome of an ancient temple, Where dreams are adorned with divine fabrics, A ballet of shadows and lights awakens, The curtain rises on a hymn to textiles.

With a white thread, the past whispers to the lapels, A masculine coat, austere and sculptural, Opens in cadence on the velvet of a dream, A dress undressed, draped in mystery.

The colors rise like fiery notes, Burnt orange, deep purple, eternal black, The silhouettes soar, chiseled and free, Capelines hemmed with a thread of desire. Jackets curl up in protective cocoons, While belts embrace the waist, Closing with one gesture the promise of the evening, Opening with another on a shiver of audacity.

And there, in the dance of skirts and pleats, The pants become accomplices of souls,

Sharpened legs, undone buttons, Freedom runs under the caressing fabric.The wind clings to ethereal blouses, the silks whisper forgotten stories, the tips stretch, the seams sing, a fabric opera, an ode to the ephemeral.

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IFM GENIUSES WITHOUT GENIUS

The great textile circus, where the important thing is no longer to dress up, but to dress down, starts with the IFM or the Art of Making Genius Without Genius. Fashion schools used to train dressmakers. Today, they produce ‘mastered’ students, well qualified, not unintelligent of course, but without intelligence. And at the head of this great standardisation is the IFM (Institut Français de la Mode), the Funny Man and the Man from Toledo. They have transformed this factory of standardised designers after absorbing the prestigious schools of French haute couture.

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VERSACE VENETIAN PLUS

When Donatella Versace transforms your bedding into haute couture: is fashion reaching its peak or its point of no return? But for Bob the man who, blessed by the gods of kitsch, looked at a curtain rod and said to himself: “Hey, what if I made a dress for Scarlett Honiara. Result: a legendary parody of “Gone with the Wind” concept à la Jaques Mumuse. But if Mackie dared to hijack Donatella Versace’s living room decor then forget the concept of “dressing room”, welcome to the era of “bedroom chic”!

Festival of baroque! Prints so bold that we wonder if the wallpaper of a Venetian hotel from the 80s was not used as a moodboard. On leggings, sculpted skaters, “because we do not skate with love”, blouses with “leg of lamb by Agneli” sleeves.

Men’s fashion, with flashy shirts and gold accessories worthy of a nostalgic rapper from the 90s. We even had the right to sequined t-shirts and jeans, for those who want to sparkle for no good reason. To perfect this ode to maximalism, heated benches and rococo blankets were made available yes, we are close to the thermal experience and for my bimbo demi-mondaine neighbor “finally Hot”.

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WHITE GALAXY A SUPERNOVA (OR ALMOST)

After conquering fashion with XXL-sized shoulder pads and futuristic looks, Roustintin has decided to invade space, and not just olfactory space. The house is launching Blanc Galaxie, the latest addition to its Les Éternels fragrance collection. And mind you, it’s not just a fragrance, it’s a powerful symbol of hope and confidence, as if a spritz of bergamot can change a life.

The creator describes Blanc Galaxie as a blank canvas to fully express who you are to yourself and to the world. And that’s all there is to it. No need for therapy, just invest $260 in a bottle to finally understand who you are. The long result of many hours of psychotherapy for itself.

It’s true that we’ve always dreamed of smelling an eclipse. A daring olfactory concept, which could give other brands ideas (‘Éclipse Totale’ – the fragrance for difficult Monday mornings?).

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BURBERRY HYBRIDE IN BRITAIN

The flashes of colour, wispy fabrics and animal prints of past seasons give way to an army of sophisticated trench coats, revisited officer’s coats, raincoats with fur-trimmed hoods and imposing scarves with tapered fringes. The palette is organic: deep browns, mossy greens and intense burgundies intertwine in a stylistic narrative with earthy, racy accents.

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HERMÉS THE RETURN

This Valentine’s Day, I decided to rediscover the Hermès boutique, a place I hadn’t set foot in since an incident that left a bitter taste in my mouth. A few years ago, someone from the brand’s communications department left me insulting messages on my answering machine, a deep disappointment for me, especially as my grudge, tenacious like that of all Scorpios, is not easily erased. I know it’s not an enviable quality, but there it is. Having left the god Vidar of Norse mythology behind, I parked my bike at the corner of Le Faubourg.

As soon as I entered, the experience was quite different, I was taken care of immediately. The first thing that struck me was the elegance of the place, where Art Deco meets controlled modernity. The architectural lines, rigorous and balanced, recall the golden age of design while leaving room for a contemporary fluidity. Under the subtly subdued lighting, leather, precious wood and touches of lacquer meet each other with refined sobriety.

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LVMH FORMULA ONE

LVMH is stepping on the gas and pressing the accelerator in Formula 1: luxury, champagne and the God Chronos will be there in 2025. After dressing the Paris Olympic Games in its finest fabrics, LVMH is moving up a gear by getting a ticket on the starting grid, but without “Shoes marker”, Louboutin oblige.

The luxury giant has signed a ten-year global partnership for a sum slightly less than 100 million dollars. A modest sum for the No. 1 in luxury, the lord. Three flagship brands of the group will play the co-pilots of these prestigious Grand Prix: TAG Heuer, to ensure that the times are as precise as the Boussac group’s cut, Moët & Chandon, for podiums as sparkling as a Nebuchadnezzar king of Babylon, great builder and merciless conqueror, it makes sense, and the Louis Vuitton brand, no doubt to pack the trophies in more luxurious trunks that the cars in the parking lots will not be able to carry, because in a Ferrari, there is no trunk. Continue reading

AMI READ IN PARIS

While some brands open a flagship to make a bold statement, Ami Paris’ newest store is all about blending into its surroundings. “I liked the idea of being a neighborhood shop, something deeply rooted in the area’s history,” said creative director and founder Alexandre Mattiussi ahead of the opening. “It’s next to a café, beside a restaurant, in a real neighborhood with schools, pharmacies, and bakeries.”

For Mattiussi, the store isn’t meant to be a destination but rather a natural stop during a stroll through the Marais. “I love the idea that on a Saturday, people might grab a quick coffee at Le Progrès and then drop by Ami,” he said. “Suddenly, we become part of someone’s everyday life.”

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HERMÈS A VISION OF LUXURY

Hermès: Still Winning, Still Expensive, Still Unbothered. While its luxury rivals are breaking a sweat, Hermès International is gracefully trotting ahead like a well-groomed show horse. Sales soared 18% in the fourth quarter, hitting a casual 4 billion euros because apparently, the ultra-rich are still panic-buying Birkins like it’s a stock market crash.

Meanwhile, competitors like LVMH and Kering had a rougher time. LVMH eked out a 1% growth, while Kering saw a 12% sales drop, possibly because even wealthy shoppers decided they should maybe stop impulse-buying another Gucci bag for their dog.

Analysts had expected Hermès to deliver a solid 11% growth, but the brand casually exceeded expectations—like that one kid in class who claims they didn’t study but still aces the test. Naturally, investors threw a little celebration, sending Hermès shares up 2.1%.

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MONCLER AND LVMH

Despite several competitors lamenting a lackluster performance in China, Moncler Group closed 2024 with sales exceeding 3.1 billion euros, plus a cash pile of more than 1.3 billion euros.

Moreover, the group achieved an operating profit margin of almost 30 percent, and reported double-digit growth in both its direct-to-consumer brands, Moncler and Stone Island, in the last quarter of 2024.

The deal with Bernard Arnault’s LVMH Moët Hennessy Louis Vuitton inked in September, whereby LVMH purchased a 10 percent stake in Double R, the investment vehicle that is controlled by Ruffini and holds his 15.8 percent stake in Moncler, the chairman underscored it was made “at the holding level and it allows to reinforce and give stability.

MIU MIU NEW CEO

I like fashion because information leaks like old bimbos, and so Silvia Onofri has been named CEO of Miu Miu. She would succeed Benedetta Petruzzo, who joined Christian Dior Couture as CEO in October.

Silvia Onofri joins from clothing brand Napapijri, where she served as president. She was appointed to the role in February 2023, succeeding Massimo Ferrucci. After a 20-year career in fashion at luxury brands such as Bulgari and Bally. Napapijri is part of VF Corp. At Napapijri, Onofri has appointed its first global creative director, Christopher Raeburn, the British designer known for his sustainable credentials as a pioneer in recycling and upcycling fashion.

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COACH FALL 2025

On Monday afternoon, Coach made its grand return to the Park Avenue Armory, a historic brick building located at 643 Park Avenue in Manhattan, New York, built in the Gothic Revival style in 1880. With a live soundtrack paying homage to David Lynch, Stuart Vevers presented a resolutely New York collection, inspired by the 90s with the style of inner-city youth.

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STACEY BENDET

alice + olivia founder Stacey Bendet pulls inspiration from her love of vintage and all things feminine to design clothing that juxtaposes the whimsical and flirty with the sexy and sophisticated. Ornamented fabrics, colorful prints and ultra-flattering fits provide today’s modern woman with options for every day and every occasion.

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ANNA SUI FALL 2025

Anna Sui turned her eye to the world of the “madcap heiress” from the 1930s, a woman who the society pages of the time would rabidly report on, charting both her successes and falls.

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