As Virgil Abloh took his bow after his debut men’s wear show for Louis Vuitton, he embraced his mentor, Kanye West, and the two men openly wept tears of joy.
The designer from Rockford, Ill., who four years ago launched his streetwear label Off-White with the aim of revolutionizing high fashion, had a theory about what it meant for him to reach the top rungs of the industry.
The clothes themselves signaled the dawning of a new era. Neither pure streetwear, nor straightforward luxury, they sat somewhere in between, with all the trial and error that comes with mapping new territory.
In a preview at the Louis Vuitton studio, Abloh said he wanted to start with a blank slate. His color scheme was based on white light hitting a prism and separating into a spectrum of hues, with shades ranging from off-white (naturellement) to the multicolored palette of “The Wizard of Oz.”
Abloh likened himself to the character played by Judy Garland, the “farm girl from the Midwest transported to Oz, a fairy-tale land where she experiences things beyond the reach of her imagination.” Along his yellow brick road, he found transfigured basics: a jacket made of white mink; a camel double-faced cashmere hoodie, and a tie-dye T-shirt in white leather. Continue reading
Clare Waight Keller is to dedicate the Givenchy Fall 2018 couture show in Paris on July 1 to house founder Hubert de Givenchy, who died in March at age 91.
Givenchy said the collection would be “an homage to his iconic creations, technique and personal lexicon” and a “celebration of his timeless elegance and grace, imbued with Waight Keller’s fresh take on the Givenchy spirit.” Continue reading
For his latest Milan tour, Alessandro Sartori at sunset on Friday led the fashion crowd to the Palazzo Mondadori, a monumental Oscar Niemeyer-designed structure rising out of a flat landscape and framed by a series of concrete arches.
Set in a nature reserve on the edge of the Idroscalo Lake, the spectacular waterside building combining concrete and stone was commissioned in 1968, the same year in which Zegna’s ready-to-wear line was launched. And Sartori saw it as the perfect architectural incarnation of the design principles of his spring collection: “graphic and voluminous, but without weight.”
In his quest for weightlessness, Alessandro Sartori in his development of an athletic sartorial journey experimented with performance fabrics to the lightest of nylons
A bridge stretching across the water, with schools of small fish darting through, had been transformed into a mirrored catwalk bordered with benches, giving guests the feeling of walking on water as they took to their seats. Continue reading
Puig, the family-owned Spanish fragrance and fashion firm, has just been acquired by the Belgian fashion label known for its dignified and elegant designs.
“Puig will be the majority owner alongside Dries, who remains, over the long term, a significant minority shareholder,” the companies said jointly in a statement on Thursday. “Additionally, Dries Van Noten will continue as chief creative officer and chairman of the board.”
Dries, baron Van Noten (born 12 May 1958 in Antwerp) is a Belgian fashion designer and an eponymous fashion brand. In 2005, the New York Times described him as “one of fashion’s most cerebral designers”. His style is said to be “eccentric”, and fell out of favor during the long period of minimalistic fashion in the early 1990s, only to make a comeback towards the mid-2000s,culminating with Van Noten’s winning of the International Award of the Council of Fashion Designers of America in 2008. Continue reading
The designer Christian Louboutin claimed an important victory in his ongoing battle to trademark red soles, after the European Court of Justice on Tuesday supported the company’s claim that the use of a specific shade of red on the underside of its shoes constitutes a recognizable characteristic of the brand.
The ruling by the European Union’s highest court comes in the context of a dispute between Louboutin and Dutch high street shoe brand Van Haren dating back to 2012. A Dutch district court in The Hague asked the European Court of Justice to rule on the nature of Louboutin’s trademark before it settles the matter.
Louboutin’s lawyers argued, on the contrary, that the trademark consisted of “the color red (Pantone 18‑1663TP) applied to the sole of a shoe,” regardless of the shape of the sole.
At issue was whether Louboutin’s trademark should be considered a shape trademark or a position trademark an important distinction as European trademark law does not protect signs consisting exclusively of the shape of a product. Continue reading