It would be necessary to speak in the language of Victor Hugo or Cornelius to describe the beauty.
In memory to TATJANA PATITZ (25 March 1966, Hamburg – January 2023), the German top model who achieved international prominence in the 1980s and 1990s representing fashion designers on runways and in magazines such as ‘Elle’, ‘Harper’s Bazaar’, and ‘Vogue’. Patitz was one of the big five supermodels who appeared in the 1990 music video “Freedom! ’90” by George Michael, and is associated with the editorial, advertising, and fine-art works of photographers Herb Ritts and Peter Lindbergh.
In the book ‘Models of Influence: 50 Women Who Reset The Course of Fashion’, author Nigel Barker reviewed Patitz’s career during the height of the supermodel era in the 1980s and 1990s, writing that she possessed an exoticism and broad emotional range that set her apart from her peers.
In her 2012 memoir, creative director of ‘Vogue’ Grace Coddington regarded Patitz as one of the original supermodels and a must in photographs and on the catwalk. ‘Harper’s Bazaar’ wrote, “Indeed, Patitz’s features almost confuse. Like Garbo or the Mona Lisa, the inexplicable gifts of line and luminescence defy definition.” ‘Vogue’ editor-in-chief Anna Wintour stated that Patitz had always been one of her favorite models. Patitz’s work bridged the eras of the exhibitionist 1980s and the minimalist 1990s in an enduring way, as Barker concluded, “The most lasting images of her are when she was really looking like herself.” Author Linda Sivertsen noted that Patitz is greatly responsible for establishing the acceptance of statuesque and curvaceous beauty in an industry of extreme thinness.
Patitz was an avid horsewoman who continued her lifelong passion for animals and the environment by campaigning for ecological causes and animal rights. Her self-described eclectic and bohemian design aesthetic for residential architecture and home design in her adoptive home state of California was recognized internationally.