In love with black, purity and cuts, the unpredictability is a substantial element of the dissymmetrical creation. It creates an effect of surprise favorable to the eye, and the ignorance of the public is an asset in the hands of the Georgian designer.

To this factor is added the anxiety of creating by the uncertainty of a non-repetition of acts, the anxiety is further increased when the designer immerses us in his structures and the memory of the mud and water of his last collection.

Sunday’s fashion show at the Carrousel du Louvre, the meeting place par excellence of the old school, where Jacques Mouclier wanted, in his time, to gather the whole profession in view of the traffic problems to come, but visionaries are never recognized in their time. The show went off without a hitch, as minimalist as possible with rows of black chairs in a long room lined with white canvas, a tool that workshops like for their test canvases.